Advertising for the “Renown” fashion line and supporting role in the movie Patate contributed to her fame.On January 16, 1964, Sylvie performed with The Beatles and opened their show at Olympia.She was nicknamed the twisting schoolgirl or la collégienne du twist by the journalists.Vartan is considered an icon for homosexuals.As part of the program of goodwill ambassadors of the WHO for maternal and child health in the European region, the singer was appointed in 2005.She loves dogs and has two dogs, Phoenix and Cooper.Some Lesser Known Facts About Sylvie Vartan 10 August 1937 died on 19 June 2001 (aged 63) in Paris, France, from a cerebral hemorrhage) 14 August 1966 (age 55 years as of 2022))ĭaughter(s) - Darina (Entrepreneur) (adopted with Tony Scotti)įather- Georges Vartanian (1912-1970) (Worked in French Embassy)īrother- Eddie (Music producer) (b. Son- David Michael Benjamin Smet (David Hallyday) (with Johnny Hallyday) (French singer, songwriter, and amateur sports car racer) (b. Knight of the Legion of Honor on November 14, 1998, Officer in 2009. Knight of the National Order of Merit on November 13, 1987, Officer in 2006. In common with too many French films, the soundtrack is poor quality (the interiors of French buildings tend to be large echo chambers, and this is never corrected in the postproduction sound processing), which probably won't bother an English speaking viewer too greatly, but makes following the unsubtitled version difficult, even for a native French speaker.Sylvie Georges Vartanian Spotify - Artist's Profileįilmography: Pod igoto (1952), based on the novel by Ivan Vazov (Under the yoke)
Michel Piccoli and Sylvie Vartan deliver sterling performances, and Mlle Vartan clearly demonstrates that she is not just another pretty face trying to change careers, but a consummate actress with great dramatic ability. What is surprising, given the complexity of the plot and sub-plots, is how well the characters get developed in such a short film, especially some of the minor characters with little on-screen time. The screenplay leaves untied a lot of loose ends that the book cleared up rather nicely, but in the 95 minutes available this is not too surprising. Where it strains is in the odd surrealist fades, which leave the viewer confused for long moments until he figures out what is going on. The plot is well constructed, the acting solid, even outstanding in parts (particularly the interview between Paul Delorme and Mme Pitot), the dialogue believable. Reviewed by pjl-7 10 / 10 Love it or hate it.
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